Other Featured Programs

Other Featured Programs include visual art workshops, literary, photographic and music programs, as well as support and technical assistance for schools and community organizations.

Imagine the thrill of seeing your words in print!

Vicki ThomasIf seventeen year old Ivan Kimble had known what waited for him in the Forest, he’d never have left his farm.

The above is the opening sentence of my YA (young adult, ages 12 and up) fantasy novel presented to a publisher several months ago during a three-day symposium that I’d signed up for. It was sponsored by the CVWW (Central Valley Writers’ Workshops in Madera) in late July. To my delight, Stacy Hague-Hill, representative editor for Tom Doherty Associates in New York, requested pages from me. By pages, I mean she was enthusiastic enough to ask for a one page synopsis, the first 50 pages of my manuscript, and an outline of the seven books in the series, The Mystical Forest.

From the start, my voyage as a writer was obsessive and a bit nutty, uncharacteristic of me as a traditional watercolor artist and a teacher for the past couple of decades. I remember how it all began. One evening, I sat at my kitchen table with lined paper, pencil in hand, and decided to write a novel. The pencil began to move. I wrote feverishly, consistently for two years, scarcely missing an evening. My total devotion to a new endeavor surprised me, bringing me endless joy.

J.K. Rowling, the author of the Harry Potter series, had a strong influence on me and my desire to write a fantasy novel. I’d read her books and watched the videos of the first and second movies multiple times—very unlike me. What was the reason for such a fixation? What had I hoped to learn by watching these repeatedly? I’m not sure, but it must have been the need to study the story and dissect the characters, detail by detail. Soon, I began to sketch the main characters for my own novel and invent strange creatures, as well as paint small watercolor pictures of the Southern English setting.

After two years (to the month and day), I’d written all seven books. By doing this, I understood how the plot would evolve, the characters develop, and how the series would end. I assure you that some things surprised me. Several characters revealed who they really were after the 3rd or 4th book in the series. I couldn’t believe they’d kept secrets from me. I was the author, after all. Characters can be so sneaky, sometimes.

Now I’m editing Book I, The Long Dark Cloak, named for the spirit-guide imbued in the cloak that Ivan must wear. His mission is to save the life of an ancient Golden Oak, named Zephyrus, who if dies, the entire Forest will perish.

Editing and rewriting are important parts of producing a readable, salable book. Every writer needs help from others who are knowledgeable. I have attended Chuck Mosher’s class, offered by Mariposa County Arts Council, (at right) and found it engaging and helpful. I also attend a writing class taught by Sunny Baker, held at the Positive Living Center, Oakhurst; along with a continuing critique group at Willow Bridge Books, also Oakhurst. All these avenues have helped me with my own writing experience

I love the writing journey—that exquisite place in my mind where a door opened, characters entered, interacted and became real with huge problems to solve. I grew to love the fantasy creatures, too; the nasty trolls, who quarrel and bite, an angry dragon, a thousand year old oak that rules the Forest with love and wisdom, and the kindly faeries under a mean spell of destruction--and then, war is declared by the Dark Forces.

Ivan’s passage through the Forest, having gone only to find his missing older brother, is soon sidetracked to save Zephyrus turned into an unforgettable adventure.

Our appreciation to Poets and Writers, Inc. for their continuing support of this program; made possible through a grant that it has received from The James Irvine Foundation.

The first sentence of your short story should catch your reader's attention with the unusual, the unexpected, an action, or a conflict. Learn the fundamental principles such as plot, structure, character, voice, dialogue, description and point of view. These principles are taught through lecture, class discussion, writing exercises and in-depth critiques of your writing in this fun, six-week course. Writing students will think about:

  • Appearance - Gives your reader a visual understanding of the character.
  • Action - Show the reader what kind of person your character is, by describing actions rather than simply listing adjectives.
  • Speech - Develop the character as a person -- don't merely have your character announce important plot details.
  • Thought - Bring the reader into your character's mind, to show them your character's unexpressed memories, fears, and hopes.

If you’ve ever dreamed of writing and seeing your words in print, here’s your opportunity to fulfill that dream. This course is for individuals with an interest in writing, enthusiasm and a willingness to learn. Our instructor is sensitive to a new writer’s insecurity and need to build confidence.

Teaching is every bit as much of an art as writing. CB Mosher doesn’t just talk about writing, he will get you started writing. Publication credits include: A Greater Pox (novel), The Virgins of Menace (play) ZYZZYVA #65, Writer’s Block (story) Conversely on-line magazine, 2000, Sasquatch Journal (story) read on Public Radio 2008, Papal Bull (satire) The Door magazine #189, Oops (story) Mediphors magazine #15, Suit (story) M.D. magazine, vol. 34,#11, Entirely Absent (story) Ecphorizer magazine #90, Sarampion (story) First Prize, Northern Calif. Writing contest read on Public Radio 2004.

Visit greaterstory.com

Writing Workshop
Dates: Six Wednesdays, Jan 13-Feb 17 at 6:00 pm
Tuition: $49 per person (scholarships available)
Location: Mariposa County Arts Council 5009 5th Street, Mariposa

Please contact the Mariposa County Arts Council to enroll: (209) 966-3155 or email: info@arts-mariposa.org


Link to the Mariposa County Arts Council!

All MCACI Artists are invited to link your website with MCACI's web site. All we ask is that you provide a reciprocal link to the Mariposa County Arts Council at www.arts-mariposa.org.

All sites require approval for appropriate content for our visitors. Email your web address information to: info@arts-mariposa.org with a request to consider your link. Our web site is updated about six times per year, and we would like to invite our customers to view your site.

Mariposa County Arts Council Supports the Performing Arts

Mariposa County Arts Council Inc
Performing Arts of Mariposa

Other Featured ProgramsHow does one acquire Arts Council Support?

  • Submit a plan
  • MCACI review/approval
  • MCACI oversight required
  • MCACI administration
  • Presenter Agreement

MCACI requires on site supervision of all co-sponsored events. Please ask for a Presenter Agreement.

Other Featured Programs

Other Featured Programs

MCACI may advise or assist with:

  • Technical support/PA system
  • Reservations for venue
  • Liability insurance
  • Program planning and coordination
  • Coordination of Rotary tables and chairs
  • Marketing
  • Black and white 8½ x 11 Flyer & distribution
  • Press distribution
  • Signs and Security
  • Administration
  • Produce tickets
  • Ticket sales prior to event
  • Budget assistance
  • Budget audit
  • Cash handling
  • Expense Distribution
  • Budget Compliance
  • Non-profit development

Other Featured ProgramsPresenter-Service provider will enter into a Hold Harmless Presenter Agreement with Mariposa County Arts Council, Inc.

MCACI shall have authority to terminate Presenter Agreement at any time, and to terminate a performance for any reason with no notice of termination. Contract presenter agrees to conduct activities within the professional standards, policy and guidelines as determined by MCACI.

Music Selection: MCACI requires the use of public domain music, or licensed copyrighted music from ASCAP or appropriate licensing agent. Recognizing that MCACI is a non-profit organization, only music compositions that are free from profanity, violence, bias, prejudice or inappropriate subject matter is allowed.

Marketing: All publicity, marketing and promotional materials must be submitted to MCACI for approval prior to distribution.

Contracts: No contract or obligation may be entered into without the prior written approval and consent of MCACI.

Thank you,
MCACI

Formulate a planning committee and appoint a chair person for each sub-committee.

Event Goals

  • Define the elements of event coordination
  • Who participates
  • What presentation/products/services are involved
  • Location/time/date/reservations
  • Retailers, food, drinks, Service organizations
  • Vendor solicitation
  • Define multi-discipline art-venue's: music, performing arts, poetry readings, etc.
  • Event objectives-what will be the audience experience?

Define a Schedule to Meet Goals

  • Develop a timeline with defined outcomes
  • Date and hours of event
  • Define each task, how long it will take, due date and when to begin
  • Define due dates for participation contracts & input
  • Marketing campaign

Determine Venue

  • Logistics and Safety Services
  • Site permit/contract
  • Restrooms
  • Utilities, electrical, water, trash

Review Financial Considerations

  • Define the revenue and expenses projected for the event
  • Submit a budget to committee for approval
  • Vendor fees, admissions defined
  • Security deposits, non-refundable fee

Market Your Event

  • Develop a Marketing plan
  • Letters of invitation to participate-mail with all event information (contractual agreement with deposit)
  • Press releases
  • Brochure outline-who will create, timeframe, printing, and mailing strategy
  • Banners, Flyers
  • Signs, and Posters

Site Considerations

  • Site assessment-determine layout, needs, permit requirements, site prep
  • Outline each task for event
  • Outline event assignments to individuals/groups/volunteers
  • Outline event stages, set up, tear down, and activities during event
  • Equipment-music, tables, chairs, tents, traffic control, parking
  • Security

Coordination for Event

  • Volunteers/contributors
  • Define the number of volunteers needed for each program aspect
  • Outline jobs with timeframes/dates
  • Outline what contributions are needed, and how to acquire them

Links

Visit our friends at Radanovich Photography

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